This topic is also a pretty vast one, so I have divided it into parts … Here we discuss Ujjayi Naad or Sound of victory which is also termed as Ujjayi, Ujj and as sound of a victor of allness …
In addition to above, this is also a very complicated, highly esoteric topic whose knowledge cannot be distributed openly as it is meant to be given only to those who hold appropriate Karmic Samskaras (karmic impressions or karmic merits or accumulated merits or Sanchit Karman or Sanchit Samskaras or Sanskaras) … Thus within this discussion, I have left those parts which relate to what is mentioned here …
Plus within a divine degenerate age cycle (i.e. within the currently underway Deva Kaliyuga) such subjects cannot even be touched upon as their knowledge systems may be misused by those who live within this degenerate age cycle … So those subjects are also not discussed or referred here …
There is no greater power than the Great-Time (i.e. Gurudeva Mahakaal Shiva) and his Great-Timeless-Divinity (i.e. Gurudevi Maa Mahakaali) and due to this reason, that which is not appropriate for an age cycle (or a cycle of time) should never be distributed within that age cycle … And if the requirement as is stated here is not complied by an aspirant, then that aspirant would only end up on a reciprocal course with Mahakal and Mahakaali, which in turn would be leading to a state which could only be termed as an evolutionary disaster …
Thus to prevent such a disaster from happening to all those who reside upon this world or would be residing upon this world at later stages of the currently underway divine degenerate age (i.e. Deva Kaliyuga Chakra) all such topics have been completely omitted from the discussions of Ujjayi Naad …
Any knower of allness can only distribute the knowledge which is apt for the divine age which is underway at that time and this topic is no exception …
With above as a base, we commence the discussions on this topic …
AA … Ujjayi Naad or Sound of Ujj is sound of Bhu Mahabhoot …
Above figure is of the “Prithvi Mahabhoot (or the subtle macro-elemental earth or Bhu Mahabhoot)” within which the “Ujjayi Naad or sound of victory” is heard … Ujjayi Naad is the sound of Bhu Mahabhoot (or the macro-elemental earth or Prithvi Mahabhoot) itself …
From the subtle macro-elemental earth, was originated the gross or manifested earth element and all that is coming within the purviews of the term “manifested earth (i.e. any planet etc.)” is directly originated from the much subtler and much older (much earlier) macro-elemental earth which is being discussed here …
During origination of the multi-universal macrocosmic creation, the subtler macro-elements were originated prior the gross elements had even manifested in a physical state …
From the subtler was originated the grosser and thus the evolutionary process of the grosser, itself leads to its own parental subtler …
BB … Above figure is of the subtler macro-elemental earth which as such is the parental state of the manifested earth element … When the manifested earth dissolutes after completion of the designated time span of its manifested (or physically incarnated) state, then it again returns back its parental subtler macro-elemental earth … From above figure (and its sound) was originated the manifested earth (which is within you and within each macrocosmic grosser or subtler part also) and it is to the above figure that the manifested earth shall eventually be returning back …
That return back is also through the sound of our discussion i.e. Ujjayi Naad (or sound of victory over allness and her each part) …
“Prithvi Mahabhoot (Bhu Mahabhoot or the subtle macro-elemental earth)” has a dull yellow color as is shown in above figure … This dull yellow color is very close to the color of yellow soil … And this yellow color also has microscopic specs of red color which denotes the presence of the macrocosmic attribute of action (or Rajoguna) within the macro-elemental earth itself … Thus it is due to this minor presence of macrocosmic attribute of action, that earth is termed as relatively steady within the Vedic lore (This characteristic of relatively steadiness of macro-elemental earth is discussed at a later stage of this topic of Ujjayi Naad) …
CC … Sound of victory or sound of victor is self realized after ALA Naad …
This figure was self-realized after the vast expanses ALA Naad (i.e. sound of ALA has already been discussed earlier), were crossed over by my subtler travelling and observing vehicle … Thus this figure was also self realized many years ago and thus painting is also a pretty old one …
Plus the same self realization was also there during my other much-much earlier incarnations when I was a Yoga Chakravartin (i.e. one who has achieved the Chakravart of Yoga, which means a stage where a Yogi accomplishes the conquest of the seven plexuses and their divinities which are within the Yogi and also are beyond that Yogi i.e. within the greater macrocosm) … And after this stage was crossed over, I later on was also appointed as the Chakravartin Samraat of the triple worlds (i.e. all underworlds, all earthly worlds and all heavenly worlds of this universe) by my Kula Devi (i.e. deity of timeless family lineage) whom this world addresses as Bhu Devi (Mother Earth) in her attributed-form or her human form (i.e. her own Sagun Sakaar Awastha) and who herself is the multi-universal macro-elemental earth (i.e. Bhu Mahabhoot or Prithvi Mahabhoot) in her attributed-formless state (i.e. Sagun Nirakaar Awastha) as is shown in above painting …
DD-1 … Ujjayi Naad and its relation to each universe …
Each universe is of the shape of a Vedic Shivalingam as is shown in above figure …
In above figure I have not painted the base of the oval shaped Shivalingam as that base is of Maa Shakti itself … But those who wish to see what that base looks like can just visit a Shiva Temple to know it … Or as a good alternate, you can also politely request Google uncle or the little boy DuckDuckGo or Bing aunty to show you a photo of it …
Within the multi-universal macrocosm, there are countless such universes … Vedic lore says they are 52.5 million (5.25 crores) in number …
Thus some Vedic practitioners undergo through severe penances of staying on isolated river banks, then making a Shivalinga from the mud of that river bank, then chanting specific Veda Mantras on that Shivling and thence letting go that Lingam in the flowing river as their offering to the universe which each of these mud Shivalingam’s denote … And since there are 52.5 million (5.25 crores) of these universes within the multi-universal macrocosmic creation, so this practice is also repeated 52.5 million (5.25 crores) times … This is also to symbolically signify the number of universes within the macrocosmic creation and where all these universes are of the shape of Shivalingam only …
Above figure was drawn at the level of the shown universes … But in realty this figure was realized when the subtler vehicle was stationed at a location which was on the top of these shown universes … I saw countless universes and all having the same shapes (or Shivalingam’s) as is shown in above painting …
DD-2 … Sound of Ujjayi … As it is heard …
The sound of this state is the endless sound of Ahhhhhhhhhh …
This sound is the Ujjayi Naad (the sound of victory) of our current discussion … The reason for using the term “Ujjayi” for this sound is discussed at a later sub-part of this topic …
The same sound comes when we exhale our breath from the mouth whilst making sure that the breath touches the inner throat area … Thus this is the sound of exhalation (Rechak or Rechaka) and when this exhalation is from the mouth the aspirant … This is how it is utilized in Pranayama of Yoga Tantra …
But as far as above figure which depicts the multi-universal state of the macrocosmic creation is concerned, this sound is of the exhalation of the creator of allness i.e. it Brahma’s Rechak (or Rechaka) … This concept is discussed at a later stage of this topic …
The sages who had realized this fact (as shown in above figure) had distributed the knowledge and practice of Ujjayi Swaas or Ujjayi Breath (Victorious breath) in Pranayama and thus Pranayama also has Ujjayi Swaas (i.e. the breath of victory) which as such is denoting the exhalation of Brahma (i.e. exhalation of Brahma) and the practice of this Pranayama (i.e. Ujjayi Swaas) only leads to aspirants unity to the divine breath of the grandfather or creator of allness (i.e. Pitamah Brahma Ji) itself …
This sound is generated by exhaling from the mouth and whilst it is open … But it can also be arrived at from the nose through special techniques … And irrespective of which of these two methods are utilized, as long as Ujjayi Naad gets manifested, it’s okay … But yet this sound is closest to its original when generated by exhaling from the mouth because of the fact that it eventually is denoting the exhalation of Brahma (Brahma’s Rechaka) …
Vedic lore says thus “When Brahma exhales, the universes form” … Thus this sound is also that from which the process of origination of universes is effected …
Thus basis above paragraph … When an aspirant reaches (or enters into a realization of) the sound of our current discussion (i.e. Ujjayi Naad) then it denotes entering that stage of (or re-arriving at) the primordial state of Maker’s Makings or in other words, the state when Brahma had just about begun creating the universes …
DD-3 … And since the state of Ujjayi Naad (which is depicted by above painting) is that which is free of all that was manifested from it at a much later stage of origination of the Maker’s Makings, so this sound is also related to a very pure state (i.e. a state which is uncorrupted by later manifested or originated microcosms) …
Plus utilization of this sound during ones evolutionary process, also leads to accounting for all the states which were manifested from this sound and yet bypassing their manifested aspects due to relating to the parental state (of all the originated microcosms) as is of Ujjayi Naad …
Thus this practice also speeds up the aspirants evolutionary process as that aspirant can just bypass the intermediary stages which lie from its current evolutionary standing till the Ujjayi Naad of our current discussion and yet because this is the parental state of all that is manifested within the Maker’s Makings, so the aspirants evolutionary path also accounts for all these bypassed states even when that aspirant is not relating to these later (manifested) states of the Maker’s Makings …
And realization of this sound also denotes that the aspirant has completed a full circle of Maker’s Makings and thus has already evolved over all that is manifested from this sound and which in turn denotes a victory of that aspirant over allness … Thus was this sound was named as “Ujjayi Naad or the sound of Victor of allness” and in Pranayama the breath which relates to this sound was termed as “Ujjayi Swaas or the breath of a victor of allness” …
That aspirant who enters into a realization of this sound of victory (Ujjayi Naad) is thus the Ujjayi Sadhak (i.e. an aspirant who has won over entirety of allness, as is of the Maker’s Makings) …
DD-4 … And since this sound is also related to innumerable Shivalingam shaped universes, so during the ancient times as were of my much-much earlier transmigrated-incarnations, that aspirant who had directly cognized the state of this sound (i.e. the multi-universal macrocosmic creation as is depicted in above painting) was also deemed to be a universal Shivalingam (Brahmand Lingam) within the macrocosmic creation and this was even when that aspirant was still incarnated in a human form …
As also, since the Shivalingam denotes each of the universes which rest within the larger envelopes of the multi-universal macrocosmic creation, so such an aspirant was also deemed to be the one who had self-realized allness of the Maker’s Makings and thus such ones were also termed as a “Victor’s of allness” during those very ancient times as were of my much-much earlier incarnations and transmigrated-incarnations …
When the state of above figure and its sound (i.e. Ujjayi Naad) is self-realized by any aspirant, then within the microcosm of such an aspirant many Shivalingam’s become self-manifested …
And since the Shivalingam itself is the symbol of the “Ever-All-Auspicious being (i.e. Bhagwan Sadashiva)” so when these Shivalingam’s become self-manifested within the aspirants microcosm, then this also proves that the aspirant has already stationed himself (or herself) within the Mahavakya (Mega-statement) of Yajurveda which is stated below …
Some of these Shivalingam’s shall be discussed with appropriate paintings in later topics of this text …
यथा पिण्डे तथा ब्रह्माण्डे यथा ब्रह्माण्डे तथा पिण्डे
“Yatha Pinde Tatha Brahmande, Yatha Brahmande Tatha Pinde” …
“As is microcosm So is macrocosm, As is macrocosm So is microcosm” …
EE … Ujjayi … Sound of a Victor …
To make an aspirant connect to the breath of Brahma and that too through the sound of breath of Brahma and thus ensure that the aspirant sets unto the path of being a victor of allness, this sound was utilized in Yogic Pranayama … Within Yoga Tantra this sound was thus termed as “Ujjayi Swaas or breath of victory” …
Ujjayi means victorious and Naad means pure clear sound … Thus the term Ujjayi Naad means “The sound of victory” …
And as far as applicability of this sound to the aspirant who self-realizes it is concerned, this sound also means the “Sound of a Victor” …
But victory is an incomplete one until it is over the entirety of allness and her each part and thus the term Ujjayi Naad eventually means “Victory over allness and her each part” i.e. victory over the entirety of Maker’s Makings …
Thus during the ancient times, that Sage (or Yogi) who had realized the sound of our current discussion, was also addressed as “Ujj” which means the “victor of allness and her each part” (i.e. one who has already won over the entirety of Maker’s Makings) … These were the sages who had rendered the knowledge of this sound to humanity and that too through practices of “Ujjayi Swaas (i.e. the breath of victory)” …
But in the real sense, the word “Ujj (or Victor or victorious one)” denotes an aspirant who has won over all that ever is or could ever be within the entirety of time spans of existence of the Maker’s Makings …
No other aspirant can ever use this term (i.e. Ujj or Ujjayi) especially as far as its real innermost meaning is considered … And that aspirant who has not realized the sound of our discussion, cannot even be termed a Victor (or victorious one) in the real sense, even if he may be a King of a world (i.e. entire planet) …
No victory is complete unless it is over allness and her each part and this is because of the fact that in absence of what is stated here, the Yogi continues endlessly until the discussed condition and its sound is self-realized by that Yogi …
And no Yogic evolution can be termed as that of fullness, unless the Yogi acquires the status of being a “Victor of allness” itself …
Above figure shall be used in later topics also, so please keep it at the back of your mind when reading further discussions in this topic …
The topic continues …